ARTISTES | Magazine (1979-1985) | Bernard Lamarche-Vadel | tobeArt bookstore
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   Publications, Reviews, Magazines...   :   ARTISTES - Contemporary Art Review (1979-1985)

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[COLLECTIVE].

ARTISTES No. 1.


Paris, Belimi, 1979.


[COLLECTIVE].

ARTISTES No. 2.


Paris, Belimi, 1979.


[COLLECTIVE].

ARTISTES No. 3.


Paris, Belimi, 1980.


[COLLECTIVE].

ARTISTES No. 4.


Paris, Belimi, 1980.


[COLLECTIVE].

ARTISTES No. 5.


Paris, Artistes, 1980.


[COLLECTIVE].

ARTISTES No. 6.


Paris, Artistes, 1980.


[COLLECTIVE].

ARTISTES No. 7.


Paris, Artistes, 1981.


[COLLECTIVE].

ARTISTES No. 8.


Paris, Artistes, 1981.


[COLLECTIVE].

ARTISTES No. 9-10.


Paris, Artistes, 1981.


[COLLECTIVE].

ARTISTES No. 11.


Paris, Belimi, 1982.


[COLLECTIVE].

ARTISTES No. 12.


Paris, Belimi, 1982.


[COLLECTIVE].

ARTISTES No. 13.


Paris, Belimi, 1982.


[COLLECTIVE].

ARTISTES No. 14.


Paris, Artistes, 1983.


[COLLECTIVE].

ARTISTES No. 15.


Paris, Artistes, 1983.


[COLLECTIVE].

ARTISTES No. 16.


Paris, Artistes, 1983.


[COLLECTIVE].

ARTISTES No. 17.


Paris, Adver, 1983.


[COLLECTIVE].

ARTISTES No. 18.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 19.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES Special Issue No. 1.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 20.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 21.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 22-23.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 24.


Paris, Artistes, 1984.


[COLLECTIVE].

ARTISTES No. 25.


Paris, Artistes, 1985.
 

In 1979, Bernard Lamarche-Vadel was a professor of art history at the Institut supérieur des carrières artistiques (ICART) and a professor of general culture at the École des beaux-arts in Quimper. In October of that same year, he created the review ARTISTES, serving as its publisher and editor-in-chief until September 1982 (Issue No. 12).
ARTISTES set as its primary goal to inform French readers about the manifold international contemporary artistic practices that were still little or poorly known in France, and to provide a platform for artists, critics, and curators who contribute to shaping the artistic landscape.



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